This involves catching and boiling seafood, dealing with some strangers (mainly a young girl speaking on their behalf) that would like her to move her mobile home off of this particular campsite as they would like to dig up their relative and moves the body because the view is no longer pleasant. Dale Dickey wears these emotions beautifully and expressively over her body language, as the quiet film often focuses on her daily routine. It might be even fairer to question if she is pondering whether this love was worth it if it meant being left alone and brokenhearted for the rest of her days. At this moment, Faye doesn’t have much advice when asked for input.Ĭonsidering Faye wakes up every morning with her arm wrapped around nothingness, it’s safe to say that she is still grieving. Thomas), one of which wants to get married while the other is nervous about that level of commitment, even if it’s all over her face that she is equally in love. She enjoys a lovely dinner with two women (Michelle Wilson and Benja K. There’s an early scene during writer and director Max Walker-Silverman’s A Love Song where the seven years-widowed Faye (underappreciated character actor Dale Dickey) has a rare moment of socialization within her campsite nomad life. Thomas, John Way, and Marty Grace Dennis.Īt a campground in the rural West, a woman waits alone for an old flame from her past to arrive, uncertain of his intentions while bashful about her own. Starring Dale Dickey, Wes Studi, Michelle Wilson, Benja K. Written and Directed by Max Walker-Silverman.
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